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On Christmas Eve, Mr. Six , also known as "Lao Pao’er" in Chinese, was released and quickly stood out compared to other holiday films： In only 12 days, it earned over 700 million yuan at the box office.
The movie depicts the relationship between a father and his son as well struggles between old and new powers. “Lao Pao’er” is a local Beijing phrase that refers to retired gangsters idling about, playing around with birds.
Acclaimed Chinese film director Feng Xiaogang portrays the film’s title character, Mr. Six. Hiding in Beijing’s narrow hutong lanes, Six can hardly endure the hustle and bustle of the modern city. One day after Six fights with his son, the boy runs away from home and ends up kidnapped by Xiao Fei, the son of a senior official. To se his son, Mr. Six comes out of retirement but eventually realizes that he is no longer physically capable of fixing things.
The movie was already generating buzz before its premiere, thanks in no all part to Feng winning Best Actor at the 52nd Golden Horse Awards in Taiwan on November 22, 2015. Before he became an award winning actor, Feng Xiaogang was already China’s top-grossing film director cumulatively.
Feng’s most recent directoral project, Personal Tailor, was released in late 2013. The light comedy is about a dream-reading company helping customers realize dreams. He intended to take two years off afterwards, but heartily accepted the role of Mr. Six after reading the script.
A Beijing native, Feng is an expert at depicting daily city life, as his films attest over and over. This movie shows exactly what is happening around him.
Mr. Six was filmed during the coldest months of 2014, and the entire crew had to work from dawn until dusk. “It was worth it,” Feng asserts. He compares the film to Sergio Leone’s Once Upon a Time in America, proclaiming that all directors should make a movie against the backdrop of the place they were born and work. Most importantly, according to Feng, in the film, everything is about the character regardless of how the plot unfolds – which is the exact opposite of most movies.
“Many Chinese movies do indeed feature impressive characters, such as Hibiscus Town and Red Sorghum, which are all about character,” remarks Feng. “I think people will still think about Mr. Six for years, even though they may not necessarily remember what happened to him."
Not long ago, Director Feng Xiaogang was interviewed about the movie.
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